A compulsive and chilling debut about a girl growing up in a cult
A compulsive and chilling debut about a girl growing up in a cult
An astonishing literary debut about a young girl’s coming of age in the haunting, enchanting world of an English commune—a modern gothic novel with echoes of Room and Never Let Me Go Foxlowe is a crumbling old house in the moors—a wild, secluded, and magical place. For Green, it is not just home, but everything she knows. Outside, people live in little square houses, with unhappy families and tedious jobs. At Foxlowe, Green runs free through the hallways and orchards, in the fields and among the Standing Stones. Outside, people are corrupted by money. At Foxlowe, the Family shares everything. Outside, the Bad is everywhere. At Foxlowe, everyone in the Family is safe—as long as they follow Freya’s rules and perform her rituals. But as Green’s little sister, Blue, grows up, she shows more and more interest in the Outside. Before long she starts to talk about becoming a Leaver. . . . Building inexorably to its terrifying climax, Foxlowe tells a chilling, irresistible story of superstition and survival, betrayal and redemption, and a utopia gone badly wrong. Praise for Foxlowe: “Mesmerizing, gripping, and beautifully written. It completely sweeps you up from beginning to end. I loved it.” —Kate Hamer, author of The Girl in the Red Coat “An excellent debut . . . Wasserberg has a strong and distinctive voice.” —Clare Mackintosh, author of I Let You Go From the Trade Paperback edition.
A compulsive and chilling debut about a girl growing up in a cult WHY WOULD ANYONE WANT TO LEAVE? Green and Blue are sisters. Foxlowe is home. Outside is Bad. Green understands. Why can't Blue?
When your only friend is your own endless imagination, how do you escape your mind and connect to the world around you? With parents too busy to pay her attention, an older brother and sister who would rather spend their time with friends, and peers who oscillate between picking on her and simply ignoring her, it's no wonder that Fain spends most of her time in a world of her own making. During the day, Fain takes solace in crafting her own fantastical adventures in writing, but in the darkness of night, these adventures come to life as Fain lives and breathes alongside a legion of imaginary creatures. Whether floating through space or under the sea, climbing mountains or traipsing through forests, Fain becomes queen beyond--and in spite of--the walls of her bedroom. In time, Fain begins to see possibilities and friendships emerge in her day-to-day reality . . . yet when she is let down by the one relationship she thought she could trust, Fain must decide: remain queen of the imaginary creatures, or risk the pain that comes with opening herself up to the fragile connections that exist only in the real world? Told in breathless and visual verse, THE LONELY ONES takes readers through the intricate inner workings of a girl who struggles to navigate isolation and finds friendship where she least expects it. Praise for The Lonely Ones: * "Spare and poignant, every word of this haunting and elegant novel in verse feels painstakingly selected....Fain's story is simply a brilliantly crafted coming-of-age novel that will appeal to the hearts and minds of all readers who have ever felt alone."--Kirkus Reviews *STARRED REVIEW* "The lyrical free verse style moves the narrative swiftly along....Gorgeous writing distinguishes this short, but not shallow, read."--School Library Journal "This novel in free verse is exactly what a poetic novel should be...an immersive novel, like any good tale in which readers can take any individual poem and examine it in depth for word use, rhythm, and meaning."--VOYA From the Hardcover edition.
For Carrie, Chris and Cathy the attic was a dark horror that would not leave their minds. Of course mother had to pretend they didn't exist and grandmother was convinced they had the devil in them. But that wasn't their fault. Was it? Cathy knew what to do. She knew it was time to show her mother and grandmother that the pain and terror of the attic could not be forgotten...Show them. Show them -- once and for all.
#1 NEW YORK TIMES BESTSELLER • For readers of Atul Gawande, Andrew Solomon, and Anne Lamott, this inspiring, exquisitely observed memoir finds hope and beauty in the face of insurmountable odds as an idealistic young neurosurgeon attempts to answer the question What makes a life worth living? NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST • THE NEW YORK TIMES • NPR BOOKS FOR A BETTER LIFE AWARD FINALIST At the age of thirty-six, on the verge of completing a decade’s worth of training as a neurosurgeon, Paul Kalanithi was diagnosed with stage IV lung cancer. One day he was a doctor treating the dying, and the next he was a patient struggling to live. And just like that, the future he and his wife had imagined evaporated. When Breath Becomes Air chronicles Kalanithi’s transformation from a naïve medical student “possessed,” as he wrote, “by the question of what, given that all organisms die, makes a virtuous and meaningful life” into a neurosurgeon at Stanford working in the brain, the most critical place for human identity, and finally into a patient and new father confronting his own mortality. What makes life worth living in the face of death? What do you do when the future, no longer a ladder toward your goals in life, flattens out into a perpetual present? What does it mean to have a child, to nurture a new life as another fades away? These are some of the questions Kalanithi wrestles with in this profoundly moving, exquisitely observed memoir. Paul Kalanithi died in March 2015, while working on this book, yet his words live on as a guide and a gift to us all. “I began to realize that coming face to face with my own mortality, in a sense, had changed nothing and everything,” he wrote. “Seven words from Samuel Beckett began to repeat in my head: ‘I can’t go on. I’ll go on.’” When Breath Becomes Air is an unforgettable, life-affirming reflection on the challenge of facing death and on the relationship between doctor and patient, from a brilliant writer who became both. Praise for When Breath Becomes Air “I guarantee that finishing this book and then forgetting about it is simply not an option. . . . Part of this book’s tremendous impact comes from the obvious fact that its author was such a brilliant polymath. And part comes from the way he conveys what happened to him—passionately working and striving, deferring gratification, waiting to live, learning to die—so well.”—Janet Maslin, The New York Times “An emotional investment well worth making: a moving and thoughtful memoir of family, medicine and literature. It is, despite its grim undertone, accidentally inspiring.”—The Washington Post “Possesses the gravity and wisdom of an ancient Greek tragedy . . . [Kalanithi] delivers his chronicle in austere, beautiful prose. The book brims with insightful reflections on mortality that are especially poignant coming from a trained physician familiar with what lies ahead.”—The Boston Globe “Devastating and spectacular . . . [Kalanithi] is so likeable, so relatable, and so humble, that you become immersed in his world and forget where it’s all heading.”—USA Today “It’s [Kalanithi’s] unsentimental approach that makes When Breath Becomes Air so original—and so devastating. . . . Its only fault is that the book, like his life, ends much too early.”—Entertainment Weekly “Split my head open with its beauty.”—Cheryl Strayed
“Harun is heir apparent to Louise Erdrich and Harry Crews.... Readers will be swept away by this breathless, absorbing novel.” —Claire Vaye Watkins, The New York Times Book Review In this mysterious and chilling novel, girls, mostly Native, are vanishing from the sides of a notorious highway in the isolated Pacific Northwest. Leo Kreutzer and his friends are barely touched by these disappearances—until a series of enigmatic strangers arrive in their remote mountain town, beguiling and bewitching them. It seems as if the devil himself has appeared among them. The intoxicatingly lush debut novel by the acclaimed author of The King of Limbo, A Man Came Out of a Door in the Mountain is an unsettling portrait of life in a dead-end town, as seductive and beautifully written as the devil’s dark arts are wielded. WINNER OF THE 2015 PINCKLEY PRIZE FOR DEBUT CRIME NOVEL From the Trade Paperback edition.
'Original and compelling - a sensational debut' Clare Mackintosh, bestselling author of I Let You Go When Annie hands her mother over to the police she hopes for a new start in life - but can we ever escape our past? 'NEW NAME. NEW FAMILY. SHINY. NEW. ME.' Annie's mother is a serial killer. The only way Annie can make it stop is to hand her in to the police. With a new foster family and a new name - Milly - she hopes for a fresh start. Now, surely, she can be whoever she wants to be. But as her mother's trial looms, the secrets of Milly's past won't let her sleep . . . Because Milly's mother is a serial killer. And blood is thicker than water... 'The new Girl on The Train, which was the new Gone Girl. You get the picture. This psycho-thriller by Ali Land is set to be massive' Cosmopolitan ---------- 'Utterly compelling, extraordinary, breath-taking' Joanna Cannon, author of The Trouble with Goats and Sheep 'An astoundingly compelling thriller. Beyond tense' Matt Haig 'Could not be more unputdownable if it was slathered with superglue' Sunday Express 'A strong contender for debut of the year' Irish Times
This is the "delightful" (People) New York Times bestseller that's earned raves from Sarah Blake, Helen Simonson, and reviewers everywhere-the story of three sisters who love each other, but just don't happen to like each other very much... Three sisters have returned to their childhood home, reuniting the eccentric Andreas family. Here, books are a passion (there is no problem a library card can't solve) and TV is something other people watch. Their father-a professor of Shakespeare who speaks almost exclusively in verse-named them after the Bard's heroines. It's a lot to live up to. The sisters have a hard time communicating with their parents and their lovers, but especially with one another. What can the shy homebody eldest sister, the fast-living middle child, and the bohemian youngest sibling have in common? Only that none has found life to be what was expected; and now, faced with their parents' frailty and their own personal disappointments, not even a book can solve what ails them...
A RICHARD AND JUDY BOOK CLUB PICK AUTUMN 2016 'Absolutely heart-breaking. One of the best books I’ve ever read' DINAH JEFFERIES, author of The Tea-Planter's Wife 'Compelling, elegant and insightful' Observer 'Beautifully wrought, tender, heartbreaking' Sunday Express 5/5 'Moving, fascinating' Times 'A tender and absorbing love story' Daily Mail 'Unsentimental and affecting' Sunday Times 'Exquisitely good' Metro 1911: Inside an asylum at the edge of the Yorkshire moors, where men and women are kept apart by high walls and barred windows, there is a ballroom vast and beautiful. For one bright evening every week they come together and dance. When John and Ella meet It is a dance that will change two lives forever. Set over the heatwave summer of 1911, the end of the Edwardian era, THE BALLROOM is a historical love story. It tells a page-turning tale of dangerous obsession, of madness and sanity, and of who gets to decide which is which.
Winner of the 2016 Man Booker International Prize NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Publisher's Weekly • Buzzfeed • Entertainment Weekly • Time • Wall Street Journal • Bustle • Elle • The Economist • Slate • The Huffington Post • The St. Louis Dispatch • Electric Literature A beautiful, unsettling novel about rebellion and taboo, violence and eroticism, and the twisting metamorphosis of a soul Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself. Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
“Elizabeth Blackwell is a story-telling genius. Her mesmerizing writing weaves a spell that will enchant you. While Beauty Slept breathes new life into the fairytale genre with a historical twist that will take your breath away.” —Meg Cabot, #1 New York Times bestselling author of The Princess Diaries and Heather Wells mystery series I am not the sort of person about whom stories are told. Those of humble birth suffer their heartbreaks and celebrate their triumphs unnoticed by the bards, leaving no trace in the fables of their time… And so begins Elise Dalriss’s story. When she hears her great-granddaughter recount a minstrel’s tale about a beautiful princess asleep in a tower, it pushes open a door to the past, a door Elise has long kept locked. For Elise was the companion to the real princess who slumbered—and she is the only one left who knows what actually happened so many years ago. As the memories start to unfold, Elise is plunged back into the magnificent world behind the palace walls she left behind more than a half century ago, a labyrinth where the secrets of her real father and the mysterious fate of her mother connect to an inconceivable evil. Elise has guarded these secrets for a lifetime. As only Elise understands all too well, the truth is no fairy tale.
'KNOWS HOW TO KEEP HER AUDIENCE HOOKED' The Times 'A MASTERFUL STORYTELLER' Clare Mackintosh 'DARK, WEIRD AND GLORIOUSLY FEMINIST' Elle Georgian London, in the summer of 1763. At nineteen, Anne Jaccob, the elder daughter of well-to-do parents, meets Fub the butcher's apprentice and is awakened to the possibilities of joy and passion. Anne lives a sheltered life: her home is a miserable place and her parents have already chosen a more suitable husband for her than Fub. But Anne is an unusual young woman and is determined to pursue her own happiness in her own way... ...even if that means getting a little blood on her hands. 'A SHARP EYE AND A SHARPER WIT' Guardian 'A SPIRITED, DARK DEBUT' Woman & Home 'STRANGE, DARK AND UTTERLY MESMERIC' Hannah Kent
EDGAR AWARD NOMINEE FOR BEST FIRST NOVEL “Startlingly inventive.” —The New York Times Book Review “A sheer delight to read . . . I had no idea what was going to happen from one page to the next.” —Kate Atkinson On the grubby outskirts of Paris, Grace restores bric-a-brac, mends teapots, re-sets gems. She calls herself Julie, says she’s from California, and slips back to a rented room at night. Regularly, furtively, she checks the hometown paper on the Internet. Home is Garland, Tennessee, and there, two young men have just been paroled. One, she married; the other, she’s in love with. Both were jailed for a crime that Grace herself planned in exacting detail. The heist went bad—but not before she was on a plane to Prague with a stolen canvas rolled in her bag. And so, in Paris, begins a cat-and-mouse waiting game as Grace’s web of deception and lies unravels—and she becomes another young woman entirely. Unbecoming is an intricately plotted and psychologically nuanced heist novel that turns on suspense and slippery identity. With echoes of Alfred Hitchcock and Patricia Highsmith, Rebecca Scherm’s mesmerizing debut is sure to entrance fans of Gillian Flynn, Marisha Pessl, and Donna Tartt. From the Hardcover edition.
WINNER OF THE DESMOND ELLIOTT PRIZE 2015 'Fuller handles the tension masterfully in this grown-up thriller of a fairytale, full of clues, questions and intrigue.' - The Times 'Extraordinary...From the opening sentence it is gripping' - Sunday Times 1976: Peggy Hillcoat is eight. She spends her summer camping with her father, playing her beloved record of The Railway Children and listening to her mother's grand piano, but her pretty life is about to change. Her survivalist father, who has been stockpiling provisions for the end which is surely coming soon, takes her from London to a cabin in a remote European forest. There he tells Peggy the rest of the world has disappeared. Her life is reduced to a piano which makes music but no sound, a forest where all that grows is a means of survival. And a tiny wooden hut that is Everything.